坎安宁伯爵笔下的美国 Earl Cunningham＇s American azw3 chm 地址 kindle 阿里云 下载 umd pdf

The official companion to the Smithsonian American Art Museum's exhibition of the same name, this beautifully illustrated volume presents Earl Cunningham (1893-1997) as a folk modernist who used the flat space and brilliant color typical of Matisse and Van Gogh to create sophisticated compositions. A creative, eccentric, and restless young man, Cunningham studied automobile mechanics and coastal navigation, earned a license as a harbor and river pilot, and worked on a schooner that carried cargo between Maine and Florida. In 1949, he moved to St. Augustine, Florida, and opened an antique shop and art gallery, which he dubbed Over Fork Gallery. There he displayed crockery, toleware, old photographs, magazines, and tools (all of which were for sale), and his own paintings, which were not.

In Earl Cunninghan's America, scholars trace the development of Cunningham's style through his career and explore his life, placing his work in the context of the folk art revival that brought Edward Hicks, Grandma Moses, and Horace Pippin to national attention.

暂无相关目录，正在全力查找中！

暂无相关内容，正在全力查找中

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：坎安宁伯爵笔下的美国 Earl Cunningham＇s American在线阅读

在线听书地址：坎安宁伯爵笔下的美国 Earl Cunningham＇s American在线收听

在线购买地址：坎安宁伯爵笔下的美国 Earl Cunningham＇s American在线购买

暂无原文赏析，正在全力查找中！

书籍介绍

The official companion to the Smithsonian American Art Museum's exhibition of the same name, this beautifully illustrated volume presents Earl Cunningham (1893-1997) as a folk modernist who used the flat space and brilliant color typical of Matisse and Van Gogh to create sophisticated compositions. A creative, eccentric, and restless young man, Cunningham studied automobile mechanics and coastal navigation, earned a license as a harbor and river pilot, and worked on a schooner that carried cargo between Maine and Florida. In 1949, he moved to St. Augustine, Florida, and opened an antique shop and art gallery, which he dubbed Over Fork Gallery. There he displayed crockery, toleware, old photographs, magazines, and tools (all of which were for sale), and his own paintings, which were not.

In Earl Cunninghan's America, scholars trace the development of Cunningham's style through his career and explore his life, placing his work in the context of the folk art revival that brought Edward Hicks, Grandma Moses, and Horace Pippin to national attention.