Degas 1834-1917 法国古典印象主义画家-德加 作品集 azw3 chm 地址 kindle 阿里云 下载 umd pdf

　　Dancers always remained Degas's favorite theme

"No art could be less spontaneous than mine. Inspiration,

spontaneity, temperament are unknown to me. One has to do the same

subject ten times, even a hundred times over. In art, nothing

should look like chance, not even movement." (Edgar Degas)

In terms of both theme and technique, the key to understanding

the early work of Edgar Degas (1834-1917) is classical painting.

Although he was eventually associated with the Impressionists and

even participated in their joint exhibitions, Degas never adopted a

purely Impressionist approach.

Degas's work, reflecting an extremely personal and psychological

perspective, emphasizes the scenic or concentrates on the detail.

Thus, Degas's painting is often discussed with reference to the

rise of short-exposure photography. Thematically, nature proved

less interesting to the artist than the life and inhabitants of the

modern metropolis. Degas primarily sought his motifs in ballet

salons, at the race track or circus, or in bedrooms - but dancers

always remained his favorite theme.

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Dancers always remained Degas's favorite theme "No art could be less spontaneous than mine. Inspiration, spontaneity, temperament are unknown to me. One has to do the same subject ten times, even a hundred times over. In art, nothing should look like chance, not even movement." (Edgar Degas) In terms of both theme and technique, the key to understanding the early work of Edgar Degas (1834-1917) is classical painting. Although he was eventually associated with the Impressionists and even participated in their joint exhibitions, Degas never adopted a purely Impressionist approach. Degas's work, reflecting an extremely personal and psychological perspective, emphasizes the scenic or concentrates on the detail. Thus, Degas's painting is often discussed with reference to the rise of short-exposure photography. Thematically, nature proved less interesting to the artist than the life and inhabitants of the modern metropolis. Degas primarily sought his motifs in ballet salons, at the race track or circus, or in bedrooms - but dancers always remained his favorite theme.