Trunk Music（ISBN=9780446198196） 英文原版 azw3 chm 地址 kindle 阿里云 下载 umd pdf

　　Back on the job after an involuntary leave of absence, LAPD

homicide detective Harry Bosch is ready for a challenge. But his

first case is a little more than he bargained for.

It starts with the body of a Hollywood producer in the trunk of a

Rolls-Royce, shot twice in the head at close range - what looks

like "trunk music," a Mafia hit. But the LAPD's organized crime

unit is curiously uninterested, and when Harry follows a trail of

gambling debts to Las Vegas, the case suddenly becomes more complex

- and much more personal.

A rekindled romance with an old girlfriend opens new perspectives

on the murder, and he begins to glimpse a shocking triangle of

corruption and collusion. Yanked off the case, Harry himself is

soon the one being investigated. But only a bullet can stop Harry

when he's searching for the truth . . .

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A former police reporter for the Los Angeles Times, Michael

Connelly is the author of twelve acclaimed Harry Bosch thrillers

and several other bestselling novels. He lives in Tampa, Florida,

with his wife and daughter. --This text refers to the Paperback

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Amazon.com Review

LAPD Homicide detective Bosch is back from an involuntary

administrative leave just in time for the bodies to start turning

up. When he finds hints of an mob hit but can't interest the

organized crime unit in the murder, Bosch has to take the

investigation into his own hands in a this hard-boiled tale full of

sharp turns. Fans of Michael Connelly's excellent, The Poet, will

go wild for this even better addition to the Harry Bosch series.

--This text refers to an out of print or unavailable edition of

this title.

From Publishers Weekly

From the opening bars, when the body of Tony Aliso is pulled from

the trunk of his Rolls Royce Silver Cloud on Mulholland Drive, to

the final grace note on a Hawaiian beach, Connelly has crafted a

jazzy, funky, roller coaster of a book. The return of maverick L.A.

homicide detective Hieronymous (Harry) Bosch (from 1995's The Last

Coyote) is cause for rejoicing. The Aliso murder quickly embroils

Bosch and his new team (Kizmin Rider, a young black female officer

on the rise in the department; veteran Jerry Edgar; and their boss,

Lieutenant Grace Billets) in a Byzantine tangle of Las Vegas mob

money, Hollywood filmmaking and police politics. The plot rushes

headlong into deadends and deadfalls, repeatedly reorients and

tears off in a new direction. Never known for tact, the

single-minded Bosch is soon hotfooting through an acronymic

snakepit: the LAPD's OCID (Organized Crime Investigation Division);

the IAD (Internal Affairs Division); the LVPD's OCU (Las Vegas

Police Department's Organized Crime Unit); the FBI. Not only does

each organization claim a piece of the action, but each also wants

a piece of Bosch. Connelly has it all working together here:

skillful dialogue, solid plotting, nuances of race and status and a

pace that will leave readers gasping to keep up. Connelly's early

promise (The Black Echo earned him the 1993 Edgar for best first

novel) has been borne out nicely by succeeding novels. Trunk Music

is his best yet. $400,000 ad/promo; author tour.

Copyright 1996 Reed Business Information, Inc. --This text refers

to an out of print or unavailable edition of this title.

From Library Journal

Homicide dick Harry Bosch investigates the murder of a Hollywood

producer in this latest from the author of the Edgar Award-winning

The Black Echo (LJ 1/92).

Copyright 1996 Reed Business Information, Inc. --This text refers

to an out of print or unavailable edition of this title.

From Booklist

LAPD Detective Harry Bosch is back from an "involuntary stress

leave," and his first case is what Detroit wiseguys call trunk

music: two .22 caliber bullets in the skull of schlock movie

producer Tony Aliso, with Aliso's body stuffed in the trunk of his

white Rolls. The murder shouts Mob, but LAPD's organized-crime unit

expresses disinterest. So Harry and his two young partners follow a

trail of laundered money to Las Vegas and what appears to be a sure

conviction. But Harry's perp turns out to be an undercover FBI

agent with an ironclad alibi. In short order, he's up against the

Feebs, LAPD's organized crime unit, a junkyard-dog Internal Affairs

investigator, the real killers, Las Vegas hoodlums, bad cops, and

the possible involvement of a woman he once loved and lost.

Connelly, a former journalist on the crime beat, has taken

traditional motifs from crime, cop, private-eye, mystery, and noir

novels and created a terrific read. Harry is a Chandlerian knight

errant: tough, shrewd, and principled enough to pursue the truth

despite formidable opposition. Offering a sultry femme fatale,

plenty of seamy and sordid--albeit palm-lined--mean streets, and

half a school of red herrings, this atmospheric novel is truly one

of the year's best entertainments. Thomas Gaughan --This text

refers to an out of print or unavailable edition of this

title.

From Kirkus Reviews

Hollywood homicide dick Harry Bosch goes up against whoever killed

high-rolling, lowlife filmmaker Tony Aliso and tipped his body into

the trunk of his Rolls. The early buzz on the case shouts Las

Vegas--so Harry heads out there in hopes of tracking down Tony's

latest companion, a stripper named Layla. Instead he finds a trail

of evidence that links Tony to a money-laundering operation for

Joey Marks, the outfit's top man in Vegas; to Dolly's, a strip club

owned by Marks lieutenant Luke (``Lucky'') Goshen; and to Eleanor

Wish, an ex-FBI agent whose activities took her to Harry's bed and

a stretch in the pen before she turned up on video playing poker at

Tony's side. Tough-guy Harry (The Last Coyote, 1995, etc.),

incredibly still carrying a torch for Eleanor, wastes no time

rekindling their affair--Eleanor's sullenness cracks just long

enough for some brisk sex--and then finds he has to cut all sorts

of deals with the Vegas cops and his own department to keep her out

of the case he's building against Lucky Goshen. Back in L.A.,

deeper trouble awaits: When Harry lays out the case against

Goshen--motive, fingerprints, murder weapon--he's told that

Goshen's an undercover FBI agent with an ironclad alibi and that

he's dashed into the middle of a sting that's been years in the

making. Relieved once again of his homicide assignment, Harry-

-together with trusty sidekicks Jerry Edgar and Kiz Rider--goes up

against Tony's killers himself, with results as gripping and

satisfying as they are improbable. Forget realism, okay? If you'd

like to see a buried love affair take off like a rocket and a bunch

of crooks and crooked cops as canny and treacherous as le Carr?'s

spies, you've come to the right place. (Book-of-the-Month Club

selection; paperback rights to St. Martin's; $400,000 joint

ad/promo for Trunk Music and The Poet; author tour) -- Copyright

©1996, Kirkus Associates, LP. All rights reserved. --This

text refers to an out of print or unavailable edition of this

title.

Review

"For those seeking the kind of action that takes more turns than a

roulette wheel, Trunk Music is a sure bet." --People

"Compelling...Connelly displays a wonderful atmospheric feel for

the posh and the poor...The last pages bring things to a shocking

end that should satisfy Connelly's growing audience." --The

Washington Post

"[A] terrific new police procedural." --The New York Times Book

Review

-- Review --This text refers to an out of print or unavailable

edition of this title.

Review

"If you'd like to see a buried love affair take off like a rocket

and a bunch of crooks and crooked cops as canny and treacherous as

le Carré's spies, you've come to the right place." (Kirkus Reviews

)

"A jazzy, funky, roller coaster of a book. . . Connelly has it all

working together here: skillful dialogue, solid plotting, nuances

of race and status and a pace that will leave readers gasping to

keep up. " (Publishers Weekly )

"For those seeking the kind of action that takes more turns than a

roulette wheel, Trunk Music is a sure bet." (People )

"Compelling...Connelly displays a wonderful atmospheric feel for

the posh and the poor...The last pages bring things to a shocking

end that should satisfy Connelly's growing audience." (Washington

Post )

书籍介绍

Back on the job after an involuntary leave of absence, LAPD homicide detective Harry Bosch is ready for a challenge. But his first case is a little more than he bargained for.

It starts with the body of a Hollywood producer in the trunk of a Rolls-Royce, shot twice in the head at close range - what looks like "trunk music," a Mafia hit. But the LAPD's organized crime unit is curiously uninterested, and when Harry follows a trail of gambling debts to Las Vegas, the case suddenly becomes more complex - and much more personal.

A rekindled romance with an old girlfriend opens new perspectives on the murder, and he begins to glimpse a shocking triangle of corruption and collusion. Yanked off the case, Harry himself is soon the one being investigated. But only a bullet can stop Harry when he's searching for the truth . . .