Bellini and the East（中图特价艺术书） azw3 chm 地址 kindle 阿里云 下载 umd pdf

　　Situated between Western Europe and the civilizations of

Byzantium and the Islamic world, Renaissance Venice was uniquely

positioned at the crossroads of East and West. In the beautiful

Adriatic city, ideas and aesthetics were exchanged and developed in

a remarkable age of cultural fusion. Venice’s distinctive

architecture is already well known for integrating divergent

cultural influences, but the impact of this synthesis on Venetian

painting has not been fully explored. This gorgeous book focuses on

the work of the remarkable Bellini family of painters—Jacopo and

his sons Gentile and Giovanni—who transformed Venetian

painting in the fifteenth and early sixteenth centuries.

The authors examine the influence of Venetian trade with the East

on Bellini paintings; the Byzantine influence on Venetian art; the

impact of a visit to Mehmed II’s court in 1479 on Gentile Bellini,

as well as his effect on Eastern-trained artists there; and much

more. The book is abundantly illustrated with the Bellini family’s

paintings and examples of the Eastern objects that inspired

them.

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　　Caroline Campbell is curator of paintings at the Courtauld

Institute Galleries, London, formerly assistant curator at the

National Gallery. Alan Chong is curator at the Isabella Stewart

Gardner Museum, Boston. Deborah Howard, reader inarchitectural

history and fellow at St. John’s College, Cambridge, is the author

of Venice and the East and The Architectural History of Venice,

both published by Yale University Press. J. Michael Howard is

professor of art and archaeology at the University of London.

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